John Milius: Homefront is Grapes of Wrath

When I talked recently with David Votypka, the general manager of Kaos studios, he began to speak about how screenwriter John Milius influenced the story scenarios in Homefront. Milius is a fine writer, the screenwriter for Coppola’s epic Apocalypse Now, one of the greatest movies of the 20th century. So when THQ and Kaos brought…

The Wii Plays: Off Off Broadway

There’s no doubt about it. Games can and do inspire other art forms. I write excitedly about it in my upcoming videogame book, All Your Base Are Belong to Us. And here’s more vivid proof: the dozen, little one-act Wii Plays currently showing at New York’s Ars Nova theater. These young playwrights who have done…

Happy Holidays

Next week, I’ll begin a week long series on the writing within one of the decades great series, Mass Effect. It’s a five-part interview with Mac Walters on the writing in the game series and in the comic book series. Mac really waxes profound throughout. Right now, it’s time for some holiday levity. Here’s Vikings…

Come to Our Very First Panel/Talk!

On Wednesday, December 8, at AOL Ventures, The New York Videogame Critics Circle is partnering with the excellent New York Gaming Meetup for our first panel discussion. Evan Narcisse, Tracey John, Andrew Yoon, Russ Frushtick and I will talk about the state of videogames. Then we’ll dissect the current indie games scene. It should be…

Green Day’s American Idiot: Broadway Play vs. Game

If you travel to 44th Street’s St. James Theatre to see American Idiot, you’ll witness a play that changes what you’ve thought about Green Day’s epic rock opera concept CD. When you attend, you’ll enjoy a sometimes funny, often Hubert Selby-dark interpretation of Billie Joe Armstrong’s vision of St. Jimmy and Johnny. There’s a lot…